Tony Reedus was born in Memphis in 1959, took up drums at age 14, and
soon after started playing with his school band. Inspired by his
uncle, veteran Jazz Messenger pianist James Williams, Reedus became
interested in playing jazz and began developing his conceptions in
high school through private studies and analysis of the styles of
personal influences such as Chick Webb, Art Blakey, Louis Hayes, Max
Roach, Elvin Jones, Tony Williams and Victor Lewis.
After high school graduation, he enrolled at Memphis State University
in 1978. In addition to music studies, he worked in local clubs with
saxophonist Herman Green and numerous other Memphis musicians. Also
during this period Reedus performed with stellar New York musicians
such as Milt Jackson, Slide Hampton and Frank Foster. During an
appearance at Memphis' Blues Alley, Woody Shaw showed up, and was
impressed enough to ask the drummer to audition for him in New York.
After a successful tryout, Reedus left college in 1980 to join Shaw's
group, which also featured Steve Turre, Mulgrew Miller and Stafford
James. In 1981, he made his recording debut on Shaw's United, and
proceeded to tour the world with the trumpeter's band. He remained
with the group until it disbanded in 1983.
Since then, Reedus has shared the bandstand in the New York area and
around the world with The Mercer Ellington Orchestra, Art Farmer,
Bobby Hutcherson, Freddie Hubbard, Kenny Garrett, Mulgrew Miller,
George Coleman, Benny Golson, Joe Lovano, Phineas Newborn, Jr. and
Mel Graves - jazz bassist, composer, teacher
Jesse Hamlin, Chronicle Staff Writer
Thursday, November 13, 2008
Mel Graves, a gifted bassist, composer and teacher equally at home in
the jazz and classical worlds, died Saturday at his Petaluma home of
pancreatic cancer. He had turned 62 two days earlier.
Mr. Graves was a fluent improviser known for his work with Mose
Allison, Denny Zeitlin, Dewey Redman and other top jazz players, and a
prolific composer and arranger who wrote for the Kronos Quartet and
other new music ensembles. He had hoped to attend Sunday's musical
tribute to him at Sonoma State University, where he was a professor of
music and created the Jazz Studies program.
An overflow crowd turned out to honor Mr. Graves, who nurtured many
young musicians. Among the performers was Zeitlin, who got a call in
1968 from a young bassist who told the pianist he loved his recordings
and had moved to San Francisco hoping to play with him. Zeitlin
invited Mr. Graves over to jam.
"Instantly, I sensed that here was a player of tremendous talent,
musicality, energy and fearlessness," said Zeitlin, who formed a trio
with Mr. Graves and drummer George Marsh that stayed together for a
decade. It was an improvising band that stretched from jazz and rock
to funk, electronic and avant-garde music. The trio continued to play
together intermittently over the years while Mr. Graves concentrated
on teaching and composing.
"It's a tragedy his life was cut short. He had a lot more to say
musically," Zeitlin said.
Allison worked with Mr. Graves on and off for 35 years. "He was a
great player who supported me well and played terrific solos," said
the famed pianist, singer and songwriter. "He was one of the few guys
I knew who could play the bow on jazz solos and swing. I loved him."
Mr. Graves was born in Parkersburg, W. Va., and grew up in Ohio. At
15, he was playing gigs around Grover City, Ohio, with his high school
band director, who had to get a dispensation allowing the minor to
play in joints where booze was sold. It was while attending Ohio State
University that Mr. Graves heard Zeitlin's music and decided to move
West. He got a bachelor's degree in composition at the San Francisco
Conservatory of Music and then a master's degree in composition at UC
Mr. Graves, who played with the San Diego Symphony, also taught at UC
Santa Cruz and Reed College in Portland, Ore., before coming to Sonoma
State. He played with notable jazz artists like saxophonist Joe
Henderson and guitarist John Abercrombie, and received grants from the
National Endowment for the Arts to write works for Chamber Music
Northwest and the New England Woodwind Quintet.
In 1987, the San Francisco Jazz Festival commissioned Mr. Graves to
write "Three Impressions," a piece dedicated to John Coltrane that
featured Kronos and such jazz improvisers as Henderson, Zeitlin and
vibraphonist Bobby Hutcherson.
Mr. Graves was "an intense guy with high standards," said San
Francisco Jazz Festival Director Randall Kline, who studied bass with
him. "He was demanding about what he wanted from his students and for
his music, which was great."
Graves' wife, Susan Adams Graves, hosted Sunday's tribute to her
husband, which turned out to be his memorial.
"How can we top that?" said Susan Graves, who had asked her husband
what he was most proud of. "He said it was his teaching. He was able
to pass onto his students the real thing, the real way to play jazz."
In addition to his wife, Mr. Graves is survived by a son, Loren of
Davis; and two brothers, Ron and Harold Graves of Ohio.
The family suggests memorial donations to be made to the Mel Graves
Jazz Scholarship Fund, Music Department, Sonoma State University,
Rohnert Park, CA 94928.
PORTLAND, Ore., Nov. 12 (UPI) -- Officials say Mitch Mitchell, the drummer for the iconic Jimi Hendrix Experience, was found dead in his Portland, Ore., hotel room Wednesday.
The (Portland) Oregonian said Mitchell, 61, was in town performing with a Hendrix tribute band and was found dead at around 3 a.m. at the Benson Hotel.
The Multnomah County Medical Examiner's office said the cause of death was unknown pending further examination later Wednesday.
The British-born Mitchell played for the Jimi Hendrix Experience in the late 1960s and did session work in the years following the guitar legend's death in 1970.
Studs Terkel, the Pulitzer prize-winning author passed away recently. Read more about him in the obituary from The Guardian.