Miles...From India

This landed in the mailbox :

Revelatory 2-CD Set Features Over Two Dozen
Musicians From U.S. & India Recorded Around The Globe
Reinterpreting Miles Davis Classics


Features Miles Davis Alumni and Renowned Indian Classical & Jazz Musicians Interpreting Tunes From
Classic Davis Albums

Selected Live Dates To Follow
Including New York and San Francisco

In a startlingly original recreation of music associated with jazz legend Miles Davis, co-producers Bob Belden and Louiz Banks have recast familiar themes from such landmark recordings as Bitches Brew, In A Silent Way, and Kind of Blue with an East Meets West sensibility on Miles...From India. An incredibly ambitious project involving two dozen musicians from two separate continents recording in studios around the world, Miles...From India is a cross-cultural summit meeting that puts a provocative pan-global spin on such Miles classics as "All Blues," "Spanish Key," "So What," "It's About That Time" and "Jean Pierre."

Sitar and tablas, ghatam and khanjira, mridangam and Carnatic violin blend seamlessly with muted trumpet and saxophones, screaming electric guitar and grooving electric bass lines, piano, upright bass and drums on this profound fusion of Indian classical and American jazz. Recorded in Mumbai and Madras, India and New York, Chicago and Los Angeles, the music on Miles...From India was performed by classical and jazz musicians from India with the addition of musicians who have recorded or performed with Miles Davis over the span of five decades. The 2-CD set is scheduled for an April 15 release on the New York-based Times Square Records.

Producer-archivist Belden, renowned for his Grammy Award-winning reissue work on a series of Miles Davis boxed sets for Sony/Columbia, explains the genesis of Miles...From India. "Yusuf Gandhi, who heads Times Square Records, and I have had conversations about doing this for the past several years. Yusuf had the connection to India and an understanding of Indian classical music along with an appreciation for jazz and also fusion music. So we had some mutual interests there. At some point we were talking about potential projects and I was just in the process of doing the On The Corner boxed set. Of course, Miles incorporated tabla and sitar on those sessions from 1972, so I suggested revisiting Miles' Indian influenced music using some of those guys from On The Corner along with some Indian classical musicians and calling it Miles...From India. Yusuf said, 'Perfect,' and that was it."

Adds Gandhi, "Jazz musicians have always listened to Indian music and Indian musicians know jazz. Right now there are so many great young musicians in India that people in America have never heard of. You hear about the Ravi Shankar family and other prominent musicians from India, but you don't hear about the younger musicians who are out there doing innovative things. So we wanted to get some of them into the picture on this project."

The Miles alumni included on the sessions are saxophonists Dave Liebman (1972-74) and Gary Bartz (1970-71), guitarists Mike Stern (1981-84), Pete Cosey (1973-76) and John McLaughlin (1969-72), bassists Ron Carter (1963-69), Michael Henderson (1970-76), Marcus Miller (1981-1984), Benny Rietveld (1987-91), keyboardists Chick Corea (1968-72), Adam Holzman (1985-87) and Robert Irving III (1980-88), drummers Jimmy Cobb (1968-63), Leon 'Ndugu' Chancler (1971), Lenny White (1969) and Vince Wilburn (1981, 1984-1987) and tabla player Badal Roy (1972-3). The Indian contingent is represented by keyboardist Louiz Banks, drummer Gino Banks, American-born alto saxophonist Rudresh Mahanthappa, sitarist Ravi Chari, Vikku Vinayakram (a charter member of Shakti) on ghatam, V. Selvaganesh (a member of Shakti and Remember Shakti) on khanjira, U. Shrinivas (from Remember Shakti) on electric mandolin, Brij Narain on sarod, Dilshad Khan on sarangi, Sridhar Parthasarathy on mridangam, Ranjit Barot on drums,
Taufiq Qureshi
and A. Sivamani on percussion, Kala Ramnath on Carnatic violin, Rakesh Chaurasia on flute and Shankar Mahadevan & Sikkil Gurucharan on Indian classical vocals.
With the Indian musicians first laying down the foundation of the tracks at studios in Mumbai and Madras, the Miles alumni then added on their parts back in the States. All the parts were then digitally edited into a coherent whole so that, for instance, on a tune like "Blue in Green" you get the sense of an organic, real-time call-and-response going on between Mike Stern's keening guitar lines (recorded in New York) and Shankar Mahadevan's impassioned vocals (recorded in Mumbai).

"All the forms were set based on my reduction of the song as a lead sheet," explains Belden, "and then Louiz figured out how to make it fit into the cultural norms of India. And the beauty of it is these Indian guys really know how to play that music. And once they got the groove in their mind, that was it. So essentially, everything we did was a first take. They showed up with their instruments, we rolled the tape and that was it."

"Jean Pierre" was similarly structured with the Indian musicians (Ranjit Barot on drums and Rakesh Chaurasia on flute) laying down their parts to a click track. Later on in the States, drummer Vince Wilburn and keyboardist Robert Irving III added their parts in Chicago while guitarist Mike Stern and keyboardist Adam Holzman added theirs in New York. "But I had Robert Irving reacting to what the Indian drummer put down when he played while Adam Holzman reacted to what Vince had played," explains Belden. "So you had all these people reacting to different things they didn't hear, and when you mixed them together it worked."

Belden adds that for this Miles...From India project he relied on technology that didn't exist five years ago. "We used the internet a lot in dealing with file sharing sites. And I was also able to use SKYPE to produce two sessions at the same time in different locations from my apartment. For 'It's About That Time' I had Ndugu Chancler playing drums on the West Coast and Robert Irving in Chicago playing Hammond B-3 organ, and we were all connected in a video conference via SKYPE. They were playing back their parts, suggesting stuff, conversing back and forth with me producing back in my New York apartment. In fact, you can make a whole record that way. You leave less carbon footprints that way."

Gandhi, who also heads up the Hip-Bop label, admits that he is astonished by the seamless illusion of real time interaction that this digital technology is able to create.

"Every time I listen to 'Spanish Key,' the way that Mike Stern comes into it when the percussionists are playing...it's almost as if he were there with them."

Some of the other highlights of this remarkable concept project include: a version of "All Blues" in 5/4 that features the regal rhythm tandem of bassist Ron Carter and drummer Jimmy Cobb (the latter recorded on the original 1959 Kind of Blue session); a 9/4 rendition of "So What" (also from Kind of Blue) featuring bassist Carter, pianist Chick Corea and drummer Ndugu Chancler interacting with a crew of Indian percussionists and konokol vocalists; a ripping, distortion-laced Pete Cosey electric guitar solo alongside Michael Henderson's groove-heavy electric bass lines, Dave Liebman's flute and Kala Ramnath's carnatic violin work on a fast version of "Ife" (from Big Fun and The Complete On The Corner Sessions); some melodic sarod playing by Pandit Brij Narain on a faithful rendition of Joe Zawinul's lyrical anthem "In A Silent Way"; some hauntingly beautiful muted trumpet work by Wallace Roney alongside Shankar Mahadevan's emotive vocals on "Blue In Green"; Marcus Miller's mysterious bass clarinet alongside Roney's trumpet and Ravi Chary's sitar on "Great Expectations"; and some potent, jazzy soloing from trumpeter Roney, tenor saxophonist Liebman and soprano saxophonist Gary Bartz on a slow version of "Ife."

The lone commissioned work on Miles...From India is the stirring title track, composed, produced and performed by guitarist John McLaughlin with his Remember Shakti bandmate U. Shrinivas on electric mandolin, Louiz Banks on piano and Sikkil Gurucharan on vocals.

This kind of East Meets West cross-cultural fusion has been going on since George Harrison played sitar on the Beatles' "Norwegian Wood" (from 1965's Rubber Soul). Fellow Brit guitarist and Harrison colleague Brian Jones followed suit in 1966 by playing sitar on the Rolling Stones' hit single "Paint It Black." John McLaughlin investigated South Indian classical music forms on the Mahavishnu's 1971 debut The Inner Mounting Flame and Miles Davis took the plunge by incorporating tablas and sitar on 1972's On The Corner. Some important Indo-American fusion projects that have subsequently been released include McLaughlin's Shakti (1975) and Remember Shakti (1999), Mickey Hart's Diga Rhythm Band (1976) and Planet Drum (1991), Talvin Singh's Asian flavored drum 'n' bass recording Anokha (1997), Bill Laswell and Zakir Hussain's Tabla Matrix (2000), Karsh Kale's Realize (2001) and Broken English (2007) and Anoushka Shankar's Rise (2005) and Breathing Under Water (2007). The all-star Miles...From India (2008) session represents the next step in the evolution of Indo-American jazz fusion.
Various Artists - MILES...FROM INDIA
Times Square Records - April 15, 2008
There will be a handful of live concerts celebrating the collaboration...the first two scheduled are in New York and San Francisco with more to come...Among the artists performing at these first two dates are RON CARTER, LENNY WHITE (pictured below l-r), WALLACE RONEY, PETE COSEY, BADAL ROY, RUDRESH MAHANTHAPPA, LOUIZ BANKS, BENNY REITVELD and more tba...
May 9 - Town Hall, 123 W, 43rd St. New York, NY
8pm - Tickets: $40-$45

May 31 - SF Jazz Festival, The Palace of the Fine Arts,
3301 Lyon St. - San Francisco, CA - 8pm -
$25/$30/$36/premium $56 - Box Office: 415-567-6642
Brad Riesau at DL MEDIA
(p) 909.744.0704
(e) brad@jazzpublicity.com
This email was sent to jasonweiss@mindspring.com, by brad@jazzpublicity.com
DL Media | 124 N Highland Ave | Bala Cynwyd | PA | 19004

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Dennis Irwin

If you haven't already heard, Dennis Irwin is very seriously ill and will be leaving New York City quite soon to seek other treatments.  Right now he needs our support both spiritually and financially.

We will be having a benefit event for him at Smalls Jazz Club on Sunday, February 3rd after the Super Bowl.   Even though this may not be the most convenient date, time is of the essence and we cannot wait.   We will begin at 10:00 PM and continue until 4:00 AM at Smalls.  Everyone is invited to come down and participate by playing and also by making a contribution.  A box will be set up so that the donations will be discreet and anonymous.  Everything collected will go directly to Dennis.  There will be no cover charge for this event but you'll be expected to contribute something, whatever's within your means.  Smalls will be donating a portion of bar sales to Dennis as well (so come and drink!).
Smalls is located at 183 West 10th street at 7th avenue, just down the street from the Village Vanguard. 

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Pete Candoli

Here you can read Steve Voce's obituary on Mr. Pete Candoli, who passed away on January 11th.

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Woody Shaw - Jersey Blues

Woody Shaw Jersey Blues

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Earl May R.I.P.

Sat Jan 5, 2008 6:05 pm (PST)


Pianist Pete Malinverni informs us of this sad news.

Earl May was born in NYC on September 17, 1927. He had studied with Charles Mingus and in 1951 was playing with the Billy Taylor trio. He later worked with Mercer Ellington, Phineas Newborn and Gloria Lynne.

He recorded with Cat Anderson in 1949. In the 50s he did dates with
tenormen Big John Greer, Gene Ammons, Sonny Stitt, Joe Holiday as well as Tony Scott, Jackie Paris, Barbara Lea, Quincy Jones, Anthony Ortega, Webster Young and John Coltrane (Lush Life), Lorez Alexandria, Hal Serra and Chet Baker. He did many dates with Billy Taylor between 1951 and 1959,

In the 60s there were record dates with Buddy Rich combos, Dave McKenna and Hall Overton, Charlie Rouse, Herman Foster, Shirley Scott, Stanley Turrentine, Lou Donaldson and Mose Allison,

From the 70s through the 90s he recorded with Johnny Hartman, Dizzy Gillespie, Billy Mitchell, Archie Shepp, Canadian Warren Chiasson, Frank Foster, Ruby Braff, Mickey Tucker, Benny Waters, Dave Van Ronk, Marlene Shaw, Carmen Bradford, Claude Williams, Irving Stokes, Grover Mitchell, Junior Mance and since the turn of the century Charles McPherson and Benny Powell. He did his first session as a leader in 2000 and a second in 2005.

Although he was left handed he played the bass (backwards)with the strings in their normal order. He told me the story of doing a trio gig where the drummer was also left handed - a musician who had smoked some pot before entering the club thought he was seeing things backward and blamed it on the pot!

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R.R. Kirk

Here's a fine article on a recent R.R. Kirk memorial, by Guy Sterling. Enjoy!

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Joel Dorn R.I.P.

Word on Jazz Programmers List, an email list of radio folks, is that Joel
Dorn has passed away. Philadelphians will remember him for his work on
WHAT-FM, before he became a respected recordings producer.

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